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Boris Eifman (Борис Яковлевич Эйфман) (born 22 July 1946) is one of the few, if not the only Russian choreographer whose energetic life in art has been going on for several decades. He has done more than fifty ballet performances. Eifman was born in Siberia and graduated from the Leningrad Conservatory. In 1977 he founded the Leningrad Ballet Ensemble at the age of 30 and he remained there for over 35 years. Boris Eifman, the founder and creator of his own theater, his own style, and his own ballet universe, who is called “one of the leading choreographers in the world” and an “amazing magician of the theater”, was born in 1946 in Siberia, into a family that was connected neither with ballet nor the theatre. From early childhood, however, he wanted to express his feelings and his thoughts in body language, in dance. He himself would later say, “For me, ballet is more than a profession. It is a means of existence, my mission on this earth. Using its resources, I am compelled to convey what is given to me from on high. Most likely, I would simply suffocate on my emotions if I didn’t have the possibility of expressing them through art. For me, choreography is art that is deeply religious, in the broadest sense of the word.” The innate sense of movement and the “instinct to compose” brought him to the Leningrad Conservatory, where he studied in the Choreography Department, and then to the Vaganova Academy of Russian Ballet, where he worked for ten years as a choreographer, composing new works for student performances. Finally, in 1977, he formed his own ballet ensemble. This is the moment when the Eifman story began, as, with his talent, with his blood and sweat, with his energy, dedicating himself a full twenty four hours a day, he began to create his own theatre. Eifman brilliantly combined cutting-edge achievements in the world of ballet with what he learned in the academic school of classical Russian choreography, to which he traces his roots. “What I do can be called the dance of emotions, free dance, a new language, in which classical ballet, modern dance, ecstatic impulses and many other things are interwoven…,” he said at the time. His dancers, who had an exclusively academic grounding, had to acquire a new vocabulary of body movement. It was a completely different kind of choreography, whose fundamental principle came into being as the troupe was formed by Eifman. == Choreography == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Boris Eifman」の詳細全文を読む スポンサード リンク
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